Making art

I consider my self-directed creative work an integral part of my identity as a researcher, and one that keeps me motivated during challenging periods. Here are some examples of my outputs:

Visual art: drawing from life, memory, and places in between
sketch of a swedish vallhund wearing a blue t-shirt with text 'you deserve all the not-so-sweet (cake emoji) in the universe'

you deserve all, 2023. ink on A4 sketchbook paper and digital drawing. produced for mom's birthday.

digital sketch with title text 'Happy 10 years, OxPop!' and subtitle text 'We work to prevent suffering and improve human health for everyone through clinical trials, health economics, ethics, perinatal epidemiology, cancer epidemiology, and much more!'. the sketch also includes a rough illustration of a green-and-blue globe with faces peering around every continent. lining the bottom of the image are simplified portraits of patients, staff, researchers, and students who have contributed to the Nuffield Department of Population Health for the last ten years.

happy anniversary, 2023. digital drawing commissioned by the University of Oxford's Nuffield Department of Population Health. black-and-white sketch of oxford's bridge of sighs

bridge of sighs, 2023. ink on A5 card and limited prints.

collage of various pink things turned into a flamingo with a backdrop of flamenco dancers

flamingo/flamenco, 2023. magazine collage on A6 card and limited zines (produced during Blossoming Wards workshop).

black-and-white sketch of an anteater in a bow tie talking to a group of ants. the anteater says 'hey how do I look? I'm meeting a date at this buffet tonight!'

the gentleman, 2023. ink and highlighter on postcard. produced in support of Sobell House Hospice's art auction to fundraise for hospice care training for nurses.

black-and-white sketch of a kitten clinging onto my mom's clothing

初一, 2022. ink on printer paper.

black-and-white sketch of a series of items belonging to refugees from an unnamed state
black-and-white sketch of a series of items belonging to refugees from an unnamed state
could these belong to you?, 2021. digital illustrations of the belongings of refugees from around the world. references from Google Images.

black-and-white sketch of the kent coast

birchington-on-sea, 2021. ink on A4 card.

black-and-white sketch of two preteen boys smiling

two boys, 2020. ink on A4 card. produced in support of MedSupplyDrive UK's art auction to fundraise for protective equipment for healthcare workers during COVID-19.

black-and-white sketch of london's BT tower viewed from a nearby street

lights will guide you home, 2020. ink on A4 card and limited prints.

black-and-white sketch of a brother and sister staring at the camera in cairo with a backdrop of local architecture

al-qahira, 2019. ink on A3 card. included in Advanced Placement Studio Art portfolio scoring 5 (extremely well qualified for university-level visual arts coursework).

black-and-white sketch of a scoliosis brace (corset) with a variety of juvenile motivational messages on its front

bent, not broken, 2019. ink on A3 card. included in Advanced Placement Studio Art portfolio scoring 5 (extremely well qualified for university-level visual arts coursework).

sketch of a young woman bent over with a series of ferocious surgical tools drilling into her

profit over patient, 2019. ink, graphite, and colour pencil on A3 card. included in Advanced Placement Studio Art portfolio scoring 5 (extremely well qualified for university-level visual arts coursework).

sketch of a series of objects aligned in the shape of a curved spine

patient journey, 2019. marker and ink on A3 card. included in Advanced Placement Studio Art portfolio scoring 5 (extremely well qualified for university-level visual arts coursework).

sketch of an open suitcase with a guitar and miscellaneous essentials

cultural field studies, 2018. ink, marker, and colour pencil on A3 card. included in Advanced Placement Studio Art portfolio scoring 5 (extremely well qualified for university-level visual arts coursework).

sketch of a deer/wildebeest skull

left behind, 2018. graphite on A4 card.

sketch of yaning, a teenage chinese woman in glasses staring intently at the camera

self-portrait, 2017. graphite on A4 card.
Multimedia: creating and borrowing material to tell personal and communal stories

holiday wishes from thirty-two bears december 2023

thanksgiving 2023: what gratitude means to 178 people december 2023

a 9/12 story september 2023

coding a flower with R for father's day june 2023

"tum hi ho" translated from hindi to english to french april 2023

telling the story of "come from away" with found objects january 2023


commended by real-life Gander residents and by the West End's "Come From Away" production.

polar bears: a christmas story december 2022

thanksgiving 2022: what gratitude means to 500 people november 2022

Poetry: reflecting on ordinary encounters that become wondrous
— there is the home key april 2023

I struck my first note and the room’s silence swelled
from the antiseptic dispenser hazard-red on the wall
to the reception’s almost-spring bouquets – there
you were cradling your coffee cup with not a word
to each other or me and I tuned and wondered
how you knew her and if you awoke together
and for how long and who you kept vigil for
and how to spell their name and how you
spoke the name only you knew them by
and where sundays mostly found them.

During the chorus I looked up – there
you were holding your little one up high
and our eyes drew together and I sparkled
with mine and I turned the page wondering
how many nursery rhymes covered the miles
to here where he sits taller than your sighs
on your shoulders ever-enchanted by your
smiling bright and what that smile had
swallowed from words too wide
to unknowns that seemed always wider.

I reached the softest section – there
you were as the double doors gave way
to the figures who carried you into their
flashing carriage in the middle of supper
with your reading specs and today’s paper
and I let the strings ring and wondered
what the table you just set was like —
the one they wrested you from tonight
as you sat in garments you thought
only your home would keep in sight.

In a music theory class I left long ago
they called home the key you depart from
and the one landing your stories safe so
let me stop my wondering and tell this story
so this hazard-red room may feel like another
and if you listen for a second with a stranger
I may stop your unknowns from growing wider
and when I strike my last note in the final measure
to dismiss the wailing carriages that flicker – there
is the home key and we will come home together.

placed first in Kellogg College's 2023 Creative Writing Competition.

performance with musical accompaniment

chicken soup april 2023

this kitchen is mine tonight
so I make chicken soup

I coax two garlic cloves
from their coats
for it is spring
and sprinkle rapeseed oil
to make a coat
for my years-scratched pot

drop one clove
on the ground
(for dramatic effect)
and slice the other
as thin as I dare
then thinner

wrestle chicken legs
from the icebox shelf
then remove their skin
and thank all the world
that I will never
become a surgeon

submerge these contents
in cold tap water
then proclaim this
“soup”
and no one shall argue
but before service:

gather green beans
in a line like primary school
then trim their toenails
and wield almost-two carrots
for their waxing appointment
then slice into discs

curate four potatoes
with all manners of blemishes
then quarter and halve
for in this crowding pot
they will become whole
(also they should be rinsed forgot that part sorry)

select one small capsicum
that looks most harmless
and add its peel and flesh
and seeds and all and
soon my fingers burn
and my tongue doubly so

season with trepidation
and then with vigour
and also with salt
and then with pepper
and leave the pot
no matter the temptation

this kitchen was mine tonight
so I made chicken soup

amersham december 2021

can you believe that we walked for
one
and
a
half
miles on the highway on slippingautumnleaves and
puddles glistening with
every strobe of headlights
under the fickle painted sky
until the sun closed the door
on its way out
and
every
up
hill
step
became a race
to tube station salvation?

friendship is being drenched and nourished and blinded and saved.

BBE: 10-07-2020 september 2020

He scoured the shelves
of seeded buns and loaded loaves
like an ostrich, dilly-dallying, dignified.
His lofty frame held a dress shirt
and dark bright eyes under flowing dreadlocks.
I crouched alongside him,
examining the same baked wares.
"'Scuse me", said a gruff voice
out of thin, stale, grocery-closing-time air.
"Do you know what day it is?"
"Me? Of course! It's -- "
Forgetting my pandemic rituals,
I summoned my cell's home screen,
deciphering, decrying this fatal germ invitation.
"It's the tenth!"
"See, ha. You don't know it either!",
he quipped.
We returned to the best before's and use by's.
I waited behind him in line
and we never spoke again.
I thanked the security guard
and faced bustling Chapel Market
smelling the ocean and the toasty sun,
wondering how I smiled so big
to the stranger who stripped me of the illusion
that I had myself together.

Data visualisation: revealing data from humanity and humanity from data

I wrote this for you: visualising the dedications behind 500 award-winning books - read here
Napoleon's defeat and Lewis' continuing fight: visualising the Selma-Montgomery marches with a 200-year-old chart type - read here
Memory and longing in "This is Us": visualising flashbacks in my favourite drama series - read here
This is for Maple: visualising the career of a musician-turned rescue dog - read here
Is the telly for everyone? visualising the accessibility of European TV channels (published on UX Collective) - read here
No art, just the artist? visualising Marina Abramović's iconic MoMA performance - read here
The white rhinos of linguistics: visualising the world's endangered languages (published on Towards Data Science) - read here
Lullaby: honouring the most vulnerable victims of violence in Palestine and Israel - read here
Can you hear the sirens? visualising NYC ambulance response patterns during the pandemic - read here
Happy mothers' day: visualising a mother-daughter relationship with pen and paper - read here
Holding my breath: visualising India's COVID-19 crisis - read here
Meet the superhumans: visualising the growth of the Paralympic Games - read here

Science communication: sharing rigorous evidence with broad audiences
four-panel sketch of a scientific poster by Dr Hans Van Remoortel and colleagues that reviewed the effectiveness of eating and drinking interventions in preventing vasovagal reactions in whole blood donors

eating and drinking interventions to reduce vasovagal reactions, 2024. digital drawing. produced for Dr Hans Van Remoortel after he lost his original poster for an international blood transfusion conference.